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Upfront
news, notes & nifty ideas
Mastering the art
of Musical Image
A professional graphic
designer, Thornton had long been interested in music, but it wasn’t
until she came to New Orleans in 1989 that she started dabbling
in singing and songwriting. When she went to record a CD, she
discovered there was no one in the area to really help her through
the process.
Working with a local
mastering engineer, the person responsible for “polishing”
a recording for production before it goes to the factory, Thornton
launched Crescent City Music Services in 1997. Her company provides
musicians with a place to develop the look of their CD.
Once artists have recorded
an album and had it mastered, they bring the master along with
any artwork they want included to Thornton. In her Faubourg St.
John studio, Thornton, 41, compiles the graphics for the CD insert.
The insert goes off to an out-of-town printer, and the CD master
goes to Sony Records. In a short time the artists’ CDs come
back, shrink-wrapped and ready to sell.
The factory manufacturing
process begins at 1,000 CDs. But for those who want anywhere from
five to 500 copies, Thornton also does in-house duplication and
can turn around an order in a matter of days. That comes in handy
for artists who want a recently recorded CD available to audiences
at Jazz Fest or other events.
“I wanted to
provide a local place where someone can sit down and make their
CD happen,” she says. “There are a lot of out-of-state
companies that do what I do, but on one else here. And trying
to do graphic design long-distance is a nightmare.”
Thornton says in a
city with such a rich musical culture, her business is filling
a vacuum. “As soon as I created the company, people came
knocking.” She says sales doubled between her first and
third year in business and have generally increased since.
One area of the company
Thornton wants to grow is corporate sales. A growing number of
companies, universities and other organizations are providing
CDs of presentations and data to large audiences, and they often
need the product fast.
From her vantage point
working with a number of prominent area musicians along with those
just starting out, Thornton says the city’s music industry
is getting better, though it still has a long way to go. “The
Mayor’s office is actively trying to bring musicians together,
but we need more attention… musicians are still struggling,”
she says.
Still she wouldn’t
have started her business in any other city. “The door's
here are very open, you can talk to anyone and people will try
to help you. You don’t find that in other places.”
One problem Thornton
mentions is a state sales tax on her product that out-0fo-state
companies don’t have to contend with. She says is not right
that artists get charged taxes first on the production of their
CDs than then again when they sell them. She says the tax also
puts her at a competitive disadvantage with peer companies elsewhere.
--- By
A.J. Mistretta
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